40,00 € netto, zzgl. MwSt. / je Einsatztag
Tag der Anlieferung und Abholung frei
Tag der Anlieferung und Abholung frei! Wir liefern das Equipment am Vortag des gewählten ersten Miettages und Du bringst oder schickst es am Folgetag des letzten Miettages zurück.
The Marshall V-LCD70XHB-HDIPT Monitor is a high brightness monitor with integrated HDMI loop-through. This highly-desired feature allows the camera operator to pass-through the HDMI video input from the V-LCD70XHB-HDIPT to another monitor for a client, director or crew/talent member to view on-location. This handy „all-in-one“ solution bypasses the need for HDMI splitters, additional power sources and other requirements necessary to split the signal.
The Marshall V-LCD70XHB-HDIPT Monitor monitor has been upgraded with even more features and versatility. Major features include HDMI pass-through, DSLR Ratio Adjustment, adjustable backlight and markers, HDMI Auto Color Space and Ratio detect, manual gamma adjustment, Image Flip, 1/4″-20 mounting on all sides, and a robust power switch.
This portable monitor is the perfect solution for video professionals shooting outdoors or in bright lighting conditions. Don’t be fooled by higher screen resolution or sizes. Our picture performance, feature set, customer service, and experience is why the industry’s leading photographers, videographers, and camera operators prefer Marshall over the competition. Our product is designed, engineered, and assembled in the USA.
This 7″ monitor offers standard features including a wide variety of formats and markers, 4 user-configurable front panel function buttons, RGB Check Field / Field Detect, RGB gain and bias control, 4-pin XLR power jack, and optical grade polycarbonate screen protection. Two other major features include Marshall’s industry leading FALSE COLOR and PEAKING Filters. These units also offer the ability to adapt up to nine different battery configurations for providing mobile operation in the field. This option provides flexibility when using different cameras or configurations. Our large selection of battery adapters can be interchanged (or „swapped“ out) by the end-user.
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| Screen Size (Display Area) |
7.0-inch Diagonal (152.4mm x 91.44mm) |
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| Resolution (Pixels) |
800 x 480 |
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| Pixel Pitch (mm) |
0.1905mm(H) x 0.1905mm(V) |
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| Brightness (in cd/m²) |
800 |
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| Contrast Ratio | 800:1 |
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| Inputs | Composite x 1, Component x 1, HDMI x 1 |
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| Loop-through outputs | Composite x 1, Component x 1, HDMI x 1 |
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| Dimensions | 7.03″W x 5.67″H x 2.17″D |
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| Approx. Weight | 1.9 lbs. |
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| Power Consumption | 1 Amp (Max) @ 12VDC (12W Max) |
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| Available Battery Adapter Configurations | User-Replaceable Battery Adapters |
| „CM“ – (Canon), „JM“ – (JVC), „PM“ – (Panasonic), „PV“ – (Panasonic), „SB“ – (Sony B series), „SL“ – (Sony L series), „SM“ – (Sony M series), „AB“ – (Anton/Bauer), „VM“ – (V-Mount) | |
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*Specifications and features are subject to change
Marshall’s new DSLR RATIO ADJUSTMENT feature allows users to scale video that does not completely fill the monitor’s screen when connected via HDMI in „Record“ mode on certain Canon DSLRs. This new feature allows the user to scale their DSLR video output, fill the screen, and eliminate black pillar bars with a variety of options to choose from. The user has the option of choosing between NORMAL, 3:2, 16:9, and FULL SCREEN. The DSLR RATIO ADJUSTMENT feature can be programmed to one of the front panel’s four-button presets for quick and easy access.
The False Color filter is used to aid in the setting of camera exposure. As the camera Iris is adjusted, elements of the image will change color based on the luminance or brightness values. This enables proper exposure to be achieved without the use of costly, complicated external test equipment. To best utilize this feature, you must understand the color chart and have a basic understanding of camera exposure. Normally, when shooting subjects like people, it is common practice to set exposure of faces to the equivalent of approximately 56 IRE. The False Color filter will show this area as the color PINK on the monitor. Therefore, as you increase exposure (open the IRIS), your subject will change color as indicated on the chart: PINK, then GREY, then a few shades of YELLOW. Overexposed subjects (above 101 IRE) on the monitor will be shown as RED. In addition, underexposed subjects will show as DEEP-BLUE to DARK-BLUE, with clipped-blacks indicated with a FUCHSIA-like color. Lastly, the color GREEN is used to indicate elements of the image that are approximately 45 IRE. This represents a „neutral“ or „mid-level“ exposure commonly used for objects (not people).
The Peaking Filter is used to aid the camera operator in obtaining the sharpest possible picture. When activated, all color will be removed from the display and a black-and-white image will remain. The internal processor will display RED color on the screen where sharp edges appear. When the camera operator adjusts (or „racks“) the focus control (on the camera lens), different parts of the image will have RED colored edges. This indicates that this portion of the image is sharp or in focus. Final focus is achieved by racking the camera lens focus control back and forth until the desired portion of the image has RED colored edges. Please note that this feature is most effective when the subject is properly exposed and contains enough contrast to be processed.
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